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Connection Post: The Armory Show + The Ism That Isn't

2/26/2016

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Over centuries of human existence art has evolved and changed, forming styles and classes of different art forms and techniques.  In recent history, art has taken cues from social and political movements around them, such as Socialism, Marxism, and Anarchism (The Gaussian, page 2), and develop ways of categorizing them, sometimes called “isms.” America has made many jumps of art style, both following and leading different movements.  America was slow to catch on to the avant grade movement steadily developing in European countries, following more closely with academy0style technical realism (McCormack, page 1).  


  
    
 In the early twentieth century America was considered behind in the avant-garde art movement, and the growth of modern style art in comparison to European countries where this art movement was beginning to flower.  Instead, America was still prioritizing the Academy style of technical and studied realism and soft figures.  Between the two articles, the Armory Show and the Ism That Isn’t, breakthroughs in the art world are hardly ever received without critique and skepticism.  Modern art is no exception, with cubism, expressionism and more fragmented art, such as the explosive work Nude Descending a Staircase (No. 2), 1912, by Marcel Duchamp.  This painting shows the phases of a nude woman descending a staircase from different angles and times.  This painting was attacked fro its lack of realism or quality, and the strange mark was almost unknown before this time.  Because to was so new, people were not sure how to react in a positive manner. Both of these articles show the similarities and connections between the progression of art and how the world reacts to this, as well as how they transition.  They also both dress British art in particular, as well as how America and other countries follow and react to such.

    The Saatchi Gallery is the attempt of a man, Charles Saatchi, to unveil the newest movement of British art, Neurotic Realism.  Every time a new style of art presents itself, they all seem to bring a new element to the table.  Neurotic Realism claims a link between psychology and the real (The Guardian, page 1) and combine both roughness with technique.  My personal opinion is that “Isms” of art are not so much labeled and presented as styles and groupings that just sort of happen and present themselves indirectly.  While it is possible to collect and control such a change, these evolution son art happen by themselves and become set in stone movements by themselves.
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    Abigail Millar

    Maggie L. Walker Governors School Art 

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