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Testing New Media: Marker and Pencil 

3/30/2017

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I recently got my first drawing markers and Im so in love with them. The past few days I've been practicing and experimenting with how to use them. So far my favorite method has been using the skin tones to create a smooth base for portraits and using colored pencils over top to add more color details and shading. This is a picture of one of my more successful trials. I'm hoping that this will be my next studio project or at lease something similar. Before that however I need to shoot more portrait pictures. 
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Process: Oil Painting 

3/30/2017

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As a part of moving on from pastels I'm currently making my first attempt at oil painting. The actual process compared to what I'm used to is really slow and I'm not a huge fan of that. Overall I think it's going fairly well. However one struggle I have not been enjoying is the mixing of skin tones, something I've never really had to do. Clearly this is a learning experience so this will be interesting to see how it turns out.
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Finishing Up on Pastels 

3/30/2017

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Pretty much my whole school years far  has been dedicated to working in chalk pastels and pastel pencils. While I have definitely enjoyed exploring them, Ive decided that moving forward I'll be testing other media. Despite this I think I will most likely stay on the path of portraits.
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Awareness: Josh Bowe

3/27/2017

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Josh Bowe's painting is about the "universal human experience, the distillation of the base elements that bind us together." His portraits attempt to convey aspects of both the subjects'  and the viewers  own personality. About twelve months ago Bowe switched from acrylic to oil. HIs process is oriented around the idea that to complete a painting is an investigation, and the struggle of reconciliation and the opposing forces of representation and abstraction. He paints faces that he feel "best portray the journeys we all take along the road of life; faces that capture both the decisions we make and the decisions forced upon us by circumstance." I simply love his use of color and mark to make a figurative and expressive portrait. This is something I hope to explore in the future. 
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Awareness: Katharine Asher

3/24/2017

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Katharine Asher is a figurative artist, focusing on fashion and beauty. Asher utilizes mixed media to create her pieces, notably water color, ink wash, and pen. Her works always revolve around the depiction of a basic figure or portion of a figure. Her style is very loose and effortless, which is impressive considering how purposeful each mark is. The reason I was drawn to Asher's work was how she not only expertly uses the negative space of a piece but incorporates it, giving it a vital role in the finished product. The other reason I enjoyed these so much is that I've been working on my home project the past couple of weeks constructing a dress of recyclable materials. 
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Art Seen: "We Are All Trayvon Martin" 

3/24/2017

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This exhibit that we all saw as a class showed a collection of pieces by Rudy Shepherd. The portion that I personally liked the most was the wall featuring 24 watercolor paintings of prominent faces  that you might see in the news as of 2016. The reason I like these paintings the most was because of their unusual quality of design. The faces themselves were almost all completely recognizable, yet could be considered highly unrealistic and skewed. This apparent low quality of the paintings put a greater emphasis on the meaning and purpose behind the faces. The idea of content > quality is something that really intrigues me, as that is not something I have ever considered for my own work.
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Connection Post: Public Art 

3/4/2017

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In the article “Public art is powerful, glorious and uplifting – it deserves to be saved”  by Rachel Cooke, she discusses the distinct modern elements of public art and how it is both affects and is affected by the public climate and opinion. One of the most intense debates on public art currently is something we discussed briefly in class. That is the discrepancy of temporary versus permanent applications of art. I personally think that temporary art is much more fluid and able to be altered and changed with evolving ideas and views. It is also a way of expressing more radical views without it being too controversial in longevity. However very impactful or beneficial pieces make it a shame that they are unable to stay for longer. Permanent art can also be viewed more harshly, as it is much more difficult to alter once it is established.​

    “Public art is going through a difficult and sad time. So much of it is neglected and quite a lot has already disappeared, spirited away by developers or melted down and sold for scrap.” In this quote Cooke investigates the current state of public art in society. This brings up this arts relevance in society today, and the purpose of its implication. One thing that stood out to me was the question of how it is decided what an “art city” is. Does it have anything to do with the wealth of the area? Most likely, in my opinion, the cities most likely to be considered “art cities” would be ones that are not relatively, but greatly cared about by its inhabitants causing them to want to improve its beauty and its worth. Right now is a rough time for public art because people are so often offered and so often vocal about the negatives when regarding a public piece. Because of this increase in social zest it is harder to appeal to all people. This can also be a reason that art is more prevalent. With such high tensions between political and social groups there are many statements to be made. 

    The second article, “Art in Public Spaces,” shows the responses of people to public art applications. This was very interesting to me because it showed more personalized and relatable views from all sides of the spectrum. I really enjoyed the ideas that it brought up about its influence on children who don’t even really understand its purpose, meaning, or even the artists creating the work. To me this art is important as it creates a more beautiful environment for youths and encourages creativity and curiosity.
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    Abigail Millar

    Maggie L. Walker Governors School Art 

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