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DC Connection Post 

12/18/2015

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     Even though I did not travel on the Washington DC field trip, researching and contributing to my blog about the art and art styles in the museums visited was actually really cool.  It really showed the variety of the art held in DC and unique pieces are to each other.  Not only that, but the contest between time periods, even within the same gallery or exhibition shows how much time can change art movements and periods can develop.  My favorite museum as a whole to research was the Hirshhorn just because the art was so complex and had so much color and character and elements I hardly see in art.  However, my favorite section of art that I wrote about was the French Impressionism movement because of my love of realism, and how much this fit the category of realism yet pushed the boundaries by using different styles and textures of brushstroke to create a depth to the painting that I found really captivating.  I wish I had been able to actually partake in the actual trip, but I am still happy with what I have seen.
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Hirshhorn Non Objective Piece

12/10/2015

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Peter Coffin
1972
​Ink on Paper

     In these individually framed pieces by Peter Coffin, the entire focus is the color scheme and the transition between the colors.  The mark of these works are so smooth and saturated they are almost invisible from a distance, with almost no texture at all.  Highly saturated ink was used to create such bright opaque and smooth colors that seem to fade into each other.  While the borders of the colors doesn't appear to completely blend, up close you can see the layering technique to achieve such a faded edge.  Because the designs of these works are so simple, the colors are the main focus, making the use and variety of color very important.
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Freer Sackler Islamic Painting

12/10/2015

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     This illustration of a centuries old poem depicts the romance of the last Sasanian king.  The Mark of the illustration is very small and detailed, and the color is still very bright.  The picture as a whole has a very smooth looking texture, with very intricate designs adding to the already intricate picture.  Despite the obvious detail, the piece has a very one dimensional, flat look about it, adding to the smoothness.

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Khusraw u Shirin by Nizam
Persian Nizami
​12th Century 

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NGA French Impressionism 

12/10/2015

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The Bridge of Argenteuil
1874
​Oil on Canvas


      This French Impressionist piece shows elaborate layering of color in short and abrupt brushstrokes.  The heavy contrasts in color show immense depth and the gradient and in color and shadow.  Because the strokes are composed in such a blotchy manner and with such vivid colors, the closer to the painting you get the more non-objective it becomes as the shapes seem to disappear.  From far away however the short strokes melt together and it becomes more fluent and realistic.  The water especially benefitted from the stroke technique that captures the choppy texture of the small ripples and waves.  This style of Impressionism presents a realistic image composed of unrealistic marks and rich textures and color layering.  This particular  painting relies on the color variety and mixture of textures supplied by the brushstrokes, and the contribution of natural looking shadows of the outdoors. 

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I Saw Andy Warhol's "Triple Elvis"

12/2/2015

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Over the long weekend I went to the Virginia Museum of fine arts.  There were so many unique pieces, and the modern art was really cool to see and probably my favorite just because of how diverse the collections of art were.  No two pieces were the same and was just really exciting.  Probably the coolest part was being able to see a piece by Andy Warhol (!!!!) in person, "Triple Elvis."  I was surprised by how large it was, and it was so cool to see how much more interesting it looks in person versus on a screen.  Overall I loved almost all of the art that I saw. 
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Document Day!

12/2/2015

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    Abigail Millar

    Maggie L. Walker Governors School Art 

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  • ART 5 GALLERY
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